Jonathan Dettman


Let’s Disagree to Agree: Angélico Chávez Reads Willa Cather’s Death Comes for the Archbishop." Transmodernity: Journal of Peripheral Cultural Production of the Luso-Hispanic World 5.2 (2015): 1–23.

Eclipse and Re-emergence of a Critical Discourse on Hemingway in Cuban Literature and Film.” The Latin Americanist 58.3 (2014): 31-50.

Kurz, Robert. “The Nightmare of Freedom: the Foundations of “Western Values” and the Helplessness of Critique.” Mediations 27.1-2 (2014). Trans. of “Der Alptraum der Freiheit.”

Después de todo, compromiso.” Casa de las Américas 270 (2013): 101-105.

Writing After History: Essays on Post-Soviet Cuban Literature. Dissertation. University of California, Davis, 2012.

Lazzara, Michael. “Cultural Criticism.” Trans. Jonathan Dettman and Erik Larson. In Dictionary of Latin American Cultural Studies. Eds. Robert McKee Irwin and Mónica Szurmuk. (University Press of Florida, 2012).

Fabio Akcelrud Durão, Modernism and Coherence: Four Chapters of a Negative Aesthetics.” Marx and Philosophy Review of Books  (Nov. 1, 2010).

Consumption and the Culture Industry in Light of Marx’s Grundrisse.” In Culture Industry Today, Ed. Fabio Durão, (Newcastle: Cambridge Scholars Publishing, 2010).

Tiempo nublado: La neblina del ayer de Leonardo Padura Fuentes.” Hispamérica 113 (2009): 37-45.

"Los palacios distantes: el spleen de La Habana.” La Habana Elegante 46 (2009).

Epic, Novel, and Subjectivity in Sergio Chejfec’s Lenta biografía.” A Contracorriente 6.2 (2009): 46-63.

Utopía y heterotopía en La neblina del ayer de Leonardo Padura.” Confluencia 23.2 (2008): 84-92.